Goyal Au Bord De L'Inde-Portraits D'Objets, D'Icones Et De Celebrites

In a sense, to pay attention to these collective objects seems to go in reverse of a convention which is above all to emphasize the eclectic nature of India. Our purpose is to draw short portraits of these objects, familiar or known. But since these portraits are representations, as they say, for example, that a painting represents, they sometimes escape the constraints of the description, especially those relating to the duty of completeness. As Stà © phane Mallarmà © heard about poetry, the intention is to paint not the thing, but the effect it produces. And in the same way that the variations of a raga always return to the original bell, these portraits macerated in several modes, precisely five, summarized by verbs which in Symbolize the symbolic field: glorify, believe, fight, admire and savor. Whether it be gods, mythical or real, superstitions or totally unsettled, struggles to deal with injustices, things of which one is amazed or We taste, there are hundreds of objects to narrate, to decipher. Just stand on the edge of India, from a certain point of distance that reveals a bit of the whole, and take up the passing, recurring images.

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